BEAR REVIEWS TSWCE SOUNDTRACK

I AM A BEAR. I EAT PEOPLE.

PEOPLE ARE DELICIOUS. THIS IS WHY I EAT THEM.

BEARS LIKE MUSIC. SOMETIMES WE DON’T EAT MUSICIANS FOR THIS REASON. BUT I WAS GOING TO EAT CHRIS CHRISTODOULOU. AND JONAS TOO, FOR PICKING HIM. HELEN TREVILLION MADE SUCH BEAUTIFUL MUSIC FOR THE LANDS OF DREAM THAT I WAS CERTAIN NO ONE COULD MATCH HER. THIS COULD NOT BE ACCEPTED. SO I WAS GOING TO EAT THE NEW COMPOSER. ALSO A RABBIT. I HATE RABBITS.

I WAS JUST FILING MY TEETH USING THE REMAINS OF A BABY ROBOT WHEN I FIRST HEARD THE SCORE FOR THE NEW PORTAL. AS I WROTE IN MY REVIEW FOR THE DAILY URSUS:

The score was not only varied and layered, it also had a grace and depth that I can only describe as “adult” – quite unlike the adolescent, bombastic scores we hear so often these days. Even at its most triumphant, there is a note of melancholy that we bears know is part of all life.

SO I DID NOT EAT CHRIS CHRISTODOULOU. INSTEAD I BOUGHT THE SOUNDTRACK AND LISTENED TO IT AS I ATE A SUPPORTER OF SOMETHING CALLED THE GOLDEN DAWN. HE TASTED LIKE SHIT BUT THE SOUNDTRACK WAS WORTH IT.

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